Looking for:
Die Hard Trilogy Download | GameFabrique - Die Hard Trilogy 2: Viva Las Vegas |
Abandonware Games / die hard trilogy 2 - Die Hard Trilogy 2 - Discover CD PROJEKT RED games
On television. As laid out in the title, Die Hard Trilogy offers three games in one; each based off of one of the films in the series. Die Hard has you running through the floors of Nakatomi tower, freeing hostages and shooting terrorists in an early third-person adventure. Die Harder borrows liberally from Virtua Cop, as an on-rails arcade shooter through a hijacked airport on Christmas Eve.
Die Hard with a Vengeance requires fast, arcade reflexes to drive through various sections of New York and disarm bombs or speeding bomb cars. Easily the most intricate of the three, Die Hard puts you in the bare feet of John McClane as he battles up 20 floors of the Nakatomi high rise.
Aside from dealing with them, your other concern is the hostages scattered around the level. Regular levels do not mirror every frame of the film, but recreate the basic spirit, and the basic look of the floors. A system where walls turn invisible in a radius around McClane — basically anything that would come between the camera and the character turns transparent — further assists you in getting the drop on bad guys. It can be zoomed in and out to various levels of detail and helpfully shows the location of every single hostage and terrorist on the level.
To say that it takes the guesswork out of the game would be an understatement. McClane has the tools he needs to survive and then some. Aside from the standard movement keys, he can quickly roll behind cover or sidestep out from it to take shots.
The default pistol never runs out of bullets. More powerful, but ammo-limited, weapons can additionally be picked up throughout the level. Grenades are available, and are triggered quickly with a separate key from the guns. Life powerups are somewhat scarce, but your health restores a bit when you free a hostage, and successful hostage escapes count big time toward your score and extra lives.
It offers a little more strategy than the other two reflex-based arcade games, but still is a very simple, speedy title. Stealth can definitely be used, but ripping through the levels and blowing shit up is a perfectly valid tactic. Die Hard 2 is an on-rails shooter through a completely inauthentic version of Dulles International Airport and its grounds.
The game moves the camera through the level automatically, while your mouse aims a set of crosshairs and offers an extremely limited ability to look around. Terrorists are present or arriving in ridiculous numbers, and are joined by random appearances from hostages who wander onto the scene and flail their arms around.
The game takes a lot of inspiration from Virtua Cop — honestly, it pretty much is Virtua Cop, with a different setting and buckets of blood. The environments attempt to be a little more realistic by using bitmap textures and offering a lot more destructible items, but the concept of both games is still identical.
The entire level is a collection of scripted sequences, with enemies popping up to shoot you at predetermined times, from predetermined locations. When they appear, they are marked with an indicator that changes color the closer they are to squeezing the trigger. The camera will almost always helpfully zoom in toward the nearest terrorist, allowing you to line up a shot. Any terrorist you hit anywhere will die in one hit and dispense gouts of blood while doing so.
The goal instead is mayhem and ultraviolence. Panels shatter, sprinklers can be triggered by shooting them, and secondary weapons like grenades and rockets make short work of terrorists and scenery alike. Explosions also set anyone nearby on fire. I remember some mild hysteria about the violence here when it was released especially the windshield wiper bit in the third game , but the inclusion of these scenes mostly seems intended to encourage a laid-back laugh from its target audience.
The rail shooter has certainly been done better in almost every other title that has attempted it. The ability to use the environment to kill bad guys, like shooting ceiling titles down on top of them, is a particularly nice touch. Levels also last about five minutes each, a couple of vehicle chase levels add variety, and most levels do not drag on past their welcome.
The mouse controls and its visual cursor removes virtually all need for precision aiming and keen senses a lightgun would have helped , resulting in the most casual of the three games. Still, you could beat this entire game with the mouse in one hand and a beer in the other; which could have been their exact intent.
Die Hard with a Vengeance takes only the concept from the third film, and abandons the plot. You have both a direction arrow indicating where the next bomb is, and a timer in the corner indicating how long before the bomb detonates. These frantic time limits, and dodging traffic, are your only concerns. The difference is that unlike a linear track, the game renders massive numbers of non-linear blocks of city streets completely open to your driving.
The size of each level certainly feels open and impressive, and the hectic pace, fleeing pedestrians, and speeding police cars attempting to assist you, also help make the game exciting. This is easily the most flashy and intense of the three. Driving is fairly simple, and any thought to physics appears to have been disregarded. This sets off a localized explosion that takes out nearby pedestrians, scenery, and even sets sprite-based birds aflame. This offers a nice distraction and a different challenge.
No true AI appears to be present — the car will follow a looping path and immediately try to get back to it if knocked off-course — but these paths lead you through some narrow chases, tight turns, and into a whole lot of crashing scenery and flying objects. There are also lots of neat little touches. The minigame between levels where you race a dump truck inside a subway tunnel is great fun, trying to overtake and pass him to escape first. Arcade style powerups for extra time and points exists, plus one that spawns an invincible ambulance that plows a path through gridlocked traffic for you.
Pedestrians also react your horn and dive out of the way — or you can simply plow into them and sweep the blood away with your windshield wipers. Gotta take lives to save lives! Unfortunately, the strict bomb time limits clamp down on any exploration you might do.
You can grab new cars at specific lots within the levels if you have the time, but there appear to be no beneficial differences in their speed or handling. Some heavy scripting also cuts down on the replayability, and breaks down the expected path even further — like remembering to turn left when the squad car hits the taxi and blocks your path on the right.
The game basically becomes an issue of trying to find and stay on the intended, unmarked path. To assist you with this, a voice actor playing Samuel L. It does work, but loses a few points for clunkiness as it drops back and forth between programs and resolutions. You cannot load the games individually by their specific. I owned the PS version when it was released, and noticed better graphics there in all games.
The computer version is okay, but not as slick more visual tearing, sharp edges, distorted textures , likely due to the lack of dedicated graphics hardware that is present in the console. The overall look and speed will depend, of course, on what kind of computer you have, and whether you can enable MMX and 3D graphics cards. This is an early 3D game, and it shows.
The attempts were certainly impressive, like the fully-textured airport and relatively massive rendition of New York, but the methods used to get there certainly result in an odd look to the entire game. Cars and objects are made of textured polygons, and despite some heavy reuse of textures and a lot of poly tearing, they look okay.
All people are made of flat sprites inside a 3D world. The effect sort of works from a distance, and sort of works in still images, but in motion they look awfully strange. The worst is when enemies get shot and fall — and you can imagine how often that will happen — and their heads and arms all flop around independently while trying to maintain the correct angle to the camera.
DHT sounds okay as well, with decent effects used across all three games. I emphasize generic. It was certainly a lot of fun for the time, and I remember playing the Playstation version far more than I should have. It was one of the most hyperactive games released up to that point, and the value of three exciting and completely different games in one package was undeniably cool.
Take the original Playstation version if you can. Your email address will not be published. This site uses Akismet to reduce spam. Learn how your comment data is processed. Die Hard 2: Die Harder — 3 stars Die Hard with a Vengeance takes only the concept from the third film, and abandons the plot. The Good Nice pack of three distinctly unique action titles. Extreme pace is enjoyable.
The Bad Each of the three games has been done better in other stand-alone titles. I must have been a good boy! Click to rate this game! Super Star Wars. Life and Death 2: The Brain. Leave a Reply Cancel reply Your email address will not be published.
Die Hard Trilogy Reissue USA : Free Download, Borrow, and Streaming : Internet Archive.Die Hard Trilogy Download Free Full Game | Speed-New
The Die Hard series of films are somewhat obvious candidates for being the basis of a computer game. The combination of violence and terrorists with strange European accidents provides excellent material for an action game. Die Hard Trilogy is a set of three games based on the three films. Bundling three games together in one package initially sounds like a bad idea.
Surely you'll end up with three weak games rather than one strong one? However, Die Hard Triology works remarkably well. Each game in turn shall be considered below. When you start the game you are presented with a menu from which to chose which of the three films to play. However, before you get into the action it's worth taking a moment to set up the graphics options.
The screen modes supported basically depend on the amount of memory on your graphics card, but my 2MB card allowed anywhere up to x There are also sliders to select how far into the horizon the graphics engine draws, how accurate the perspective is and how much detail the game uses.
When faced with these options I foolishly decided to try out x with full detail. I proceeded into the game and my P was brought tumbling to its knees. I wouldn't even begin to dream about running this game on anything less than a P and a P is really a bare minimum for beginning to get decent graphical performance.
Having miserably failed to run the game in it's top detail mode I went back to the set-up menu. Just as I was about to reduce the detail on everything, I noticed that there was a further menu of 'advanced' options. I was quite impressed to see support for the funky new MMX chips but then quite disappointed to remember that my Pentium didn't support it.
Having selected Direct 3D support, I was ready to go. I was devastated to find that my ATI Graphics card refused to work properly with the game. It's not clear whether this is a fault with Die Hard Trilogy or my graphics card. However, the game supports Direct 3D and therefore presumably will work with the majority of 3D accelerators. Basically if you've got a P MMX with a flash graphics card, you're in for a treat. I had to settle for a strange x graphics mode but it was still quite good and I even managed to push it up to x without the game becoming unplayable.
The whole point of this quite lengthy section is that you need a decent PC to play Die Hard Trilogy but if you've got the latest technology then you'll find it's well supported. The first of the three games is based on the original Die Hard film. It's a third person shoot em up, much like Fade to Black and a little bit like Tomb Raider.
The basic 'story' is that you have to work your way up all the floors of the building which the terrorists have taken over, rescuing hostages and defusing the odd bomb on the way. It's not a bad idea for a game and it captures the essence of the original film rather well.
Each level consists of a floor of the building. As you blow away the last terrorist on each floor, a bomb is activated which you have to find before you can progress to the next level. The controls are fairly fiddly as they involve quite a few keys, some of which are in quite strange positions. At first it appears that you need three hands. As well as the usual movement keys, you can roll to either side, side step, jump, fire your gun, change what grenades you are using, and throw grenades.
On a Playstation control pad, this was probably quite intuitive. On a PC keyboard, it degenerates into a bit of a mess. Thankfully you can redefine the keys and after a while the controls can be mastered. You begin armed with only a lowly pistol but a wide range of weapons can be picked up from around the game area. The terrorists come in various shapes and sizes, but most are quite easily outwitted and dispatched. However, there are an awful lot of them and it is relatively easy to get into trouble.
What really makes this part of the game is the locations. The full 3D levels are all very well detailed. You begin in a parking lot, progress through the reception and office areas, before finally ending up on the roof of the building. The environment is generally very interactive, for example the cars in the parking lot can be blown up and the glass and wall panels in the interior sections can be shot out. The graphics in this part of the game are detailed but the 3D engine does not seem overly impressive.
The game only draws the area very close to you, presumably for speed reasons. The level of detail used on the objects is impressive but the actual characters look a little bit weak. The best thing about this part of the game is that the graphics can be put in a higher resolution as speed is not as essential as it is to the other parts of the game.
The music is played directly off the CD in all three games and is of an excellent quality throughout. It's well recorded and suits the action theme of the game. The sound effects in this section are reasonably good. The guns and explosions sound a bit weedy, but then that's a bit of a common problem with most computer games.
There is quite a wide use of speech for all the characters, usually trying to pick up on lines in the films. The baddies shout abuse at you, the hostages call for help, and your character talks with a voice that nearly belongs to Bruce Willis but is not quite authentic enough.
Overall, the sound effects are varied but never really excel. Die Hard takes a lot longer to get into than the other parts of the game. It's no Tomb Raider but it is pleasant enough to play. The action gets a bit repetitive after a while, but the 3D environments are detailed enough to keep your interest. It's not fantastic but then it's not bad either. The second game, Die Harder , is a Virtua Cop clone. Your only control is over the sights of your gun as the computer guides you around a 3D environment.
It's the good old shoot-the-enemies-before-they-shoot-you gameplay associated with all light gun games. Everything about this section of the game resembles Viruta Cop. Of course, this is not a bad thing as Virtua Cop is excellent. The action begins outside the airport and moves inside terminal buildings, onto the runways and even into underground tunnels.
The 3D areas are excellently designed and are quite interactive. Windows shatter, panels fly off walls, and crates explode as you spray gun fire about.
As well as looking good, the levels are also well designed. The terrorists come flying at you from a variety of directions and civilians mill about in front of you. A rather neat touch is that rather than losing a life for hitting the innocent bystanders, you get a bonus section with some powerups if you manage to miss them. This change of emphasis from punishment to reward makes the game much less frustrating than others of its ilk.
The graphics for this section of the game are very good. In a hi-res mode, the game looks suspiciously like the arcade version of Virtua Cop. The terrorists are well animated and look more realistic than their counterparts in the first game. The only possible problem with the graphics is that scaled sprites are occasionally used to represent trees etc.
This can look very blocky, especially on outside stages such as the mountain-side. Sound is of a similar quality to Die Hard with a reasonable selection of samples and speech. This section of the game is quite addictive and proves to be great fun for a while. However, it is a bit uncomfortable having to use the mouse to control your firing.
These sorts of games only really perform to their best when then player is using a lightgun. If the game came bundled with a lightgun then this part would have been excellent. As it stands, the action is still very entertaining but a bit unwieldy at times. A problem with this style of game is that it often provides only a very short-lived gaming experience.
However, the levels are all very long and there's quite a challenge here for most players. All in all, it's a very capable attempt at a Virtua Cop -style game. The third part of the Die Hard Trilogy is an innovative racing game. You have to defuse a number of bombs by racing to them before they blow up. However, there is no set course to take and you are given complete freedom to navigate your way around the city streets and parks that you find yourself in.
An onscreen radar tells you the approximate direction to be travelling in but it's entirely up to you to decided which route will prove to be the best. You start off travelling around the city streets in a taxi. However, you can progress to tunnel and park sections as well as finding a wide variety of alternative means of transport. All the cars in the game have their own handling characteristics and the control system has exactly the right feel to it.
As well as regular steering, you can also employ hand brake turns to negotiate the sharp corners of the city. This part of the game is initially very addictive. It's the most original part of the whole package and is my favourite of the three games. However, it does get a bit repetitive after a while. To be fair, the programmers have included some nice touches, such as bombs in moving vehicles, but the action still remains fairly similar throughout.
The graphics in this section of the game are very good, but weaker PCs clearly slow down and make the car's handling quite sluggish.
There are some nice touches, such as the skid marks left by your car, and the cities are all packed with cars and pedestrians. The sound is also very well implemented, with convincing rumblings of engines and sampled speech to help you find the best route.
Comments
Post a Comment